When Alex Williams 鈥�09 says, 鈥渢hese are exciting times,鈥� just consider where he鈥檚 been and where he believes humanity is going.

Williams recently traveled between Virgin Galactic鈥檚 headquarters in Tustin, California, and its spaceship factory in Mesa, Arizona, 350 miles from Spaceport America near Las Cruces, New Mexico.

Today, fewer than 800 people have traveled to space. But Virgin Galactic projects that soon 750 or more people 鈥� 鈥渁stronauts鈥� 鈥� will ride its spaceships annually.

“My wheelhouse, [going] back to Disney and 性视界传媒, is designing experiences that are different, larger than ourselves.”

As the company鈥檚 senior manager of program design, Williams is among those responsible for producing a full 鈥渆xperience鈥� around each pinnacle moment.

鈥淢y wheelhouse, [going] back to Disney and 性视界传媒, is designing experiences that are different, larger than ourselves,鈥� Williams says. 鈥淗ere, I get to be part of opening space as the next layer of humanity.鈥�

While Virgin Galactic鈥檚 early flights made headlines for carrying company founder Sir Richard Branson and a few private astronauts, those brief trips had a bigger purpose.

鈥淲e believe deeply in making space accessible for all,鈥� Williams says. 鈥淓ach spaceflight brings everyone closer. The day is coming for everyday people who watched Apollo and Artemis missions with wonder. It鈥檚 coming for the person looking for perspective or the next adventure. They can be astronauts.鈥�

Inside and Outside a Flight to Space

The official term for a flight with Virgin Galactic is 鈥渟paceflight expedition.鈥� Passengers don鈥檛 board a rocket.

鈥淚t鈥檚 a spaceship,鈥� Williams says.

Part of the experience, then, is knowing your way into a spacesuit and into your seat aboard the spaceship. It鈥檚 bonding with crewmates and being prepared for Mach 3 speed. Preparation is critical, but it鈥檚 designed to be much less intense than fortifying oneself for a Mount Everest expedition.

鈥淵ou鈥檙e in New Mexico for less than a week,鈥� Williams says. 鈥淲e don鈥檛 want it to be physically taxing because we want you fully immersed in this monumental experience.鈥�

The spaceflight expedition is approximately 90 minutes from boarding to landing, including several minutes of weightlessness.

鈥淪afety is paramount, so we use an air launch system where a launch vehicle carries our spaceship to a release point of 45,000 feet,鈥� Williams says. 鈥淭hen the rocket motor kicks in, and the spaceship accelerates to Mach 3. The astronauts are sent back into their seats comfortably. When the motor shuts off, you coast to your highest point. And then the spaceship glides back to Spaceport for a graceful runway landing.鈥�

The immersion surrounds those 90 minutes. It includes hospitality, food and beverage, and bringing astronauts and their families into the culture of the Las Cruces area.

鈥淲e test everything,鈥� Williams says. 鈥淚鈥檝e learned, for example, that I like hatch chiles.鈥�

They are now part of the carefully designed experience.

Stretching His Own Mind

After four years at Virgin Galactic, Williams has explained the experience so many times that he feels as if he鈥檚 taken flight himself.

Even so, he still occasionally struggles to find the words.

鈥淚t鈥檚 indescribable,鈥� he says.

The technology of safe spaceflight is mostly beyond his understanding, which only adds to the fascination for a kid at heart who grew up in Citrus County, just 90 minutes from Orlando鈥檚 theme parks, where he first began stretching his imagination.

鈥淒isney had this unbridled positivity for what the future could be,鈥� Williams says. 鈥淚 wanted to be a part of something like that, helping push humanity forward, but I wasn鈥檛 sure how.鈥�

He began to discover how at 性视界传媒, where he majored in art and says he had the freedom to 鈥淔rankenstein my educational program together.鈥� The first day he walked into the Student Union, he happened to be walking into auditions for Universal Orlando Resort鈥檚 Halloween Horror Nights.

鈥淭hat experience became a piece to the puzzle,鈥� he says.

A themed attraction class, where he helped design a ride, added another piece. So did operations courses through his hospitality management minor at .

He used all these lessons during his 16 years with Disney, including Walt Disney World Resort, Disneyland Resort and D23.

鈥淎nd then my ears perked up when I heard about the direction of Virgin Galactic,鈥� Williams says. 鈥淚 saw it like my own story 鈥� in a constant state of becoming.鈥�

“This is a rare experience that can connect us to each other, to our planet and to possibilities to do something good.”

His mindset also parallels Virgin Galactic鈥檚 ultimate intent for spaceflight.

鈥淚t comes down to optimism,鈥� he says. 鈥淭his is a rare experience that can connect us to each other, to our planet and to possibilities to do something good. You don鈥檛 go up on our spaceship to look out at space 鈥� you go up to look back at Earth. As more people do that, we can鈥檛 begin to imagine how much good can result from those few minutes.鈥�

Christopher Nolan鈥檚 new film adaptation of the Odyssey is an exciting development, since it will introduce new audiences to a classic epic reimagined for our time. This not only sparks interest in the ancient world but also continues a tradition of how people have encountered and reinvented this story over the past three thousand years.

The Odyssey is a work of historical fiction set in the Late Bronze Age, around 1200 BCE. The events take place in the eastern Mediterranean, including coastal areas of Greece and Turkey. The narrative follows the wily Odysseus, a veteran of the Trojan War, who, after 10 years of conflict, spends another decade wandering at sea, longing to return home to his island kingdom of Ithaca. During his absence, his queen, Penelope, and son, Telemachus, must contend with persistent suitors who wish to seize his throne.

The epic is part of a broader tradition about the Trojan War and its aftermath, including the Iliad. Set before the events of the Odyssey, the Iliad focuses on the conflict between the Greek warrior Achilles and his commander, the Mycenaean king, Agamemnon, during the final year of the 10-year siege led by Greek allies. Related works, like Aeschylus鈥檚 Agamemnon, a Greek tragedy, and the Roman epic the Aeneid, reimagine familiar characters in new stories, ancient versions of fan fiction set in the Trojan War universe. Even in antiquity, people shaped these traditions for their own times, just as we do today.

A Song of Times Long Past

When a modern reader picks up a printed copy of The Odyssey, it is important to understand what the book represents, since it provides an illusion of more certainty than exists.

It is not known exactly when the stories were originally composed, but they were transmitted for centuries before being written down. Scholars generally believe that the compositions were passed along by singer-storytellers in a folk tradition, with each performance reshaping the lyrics, even after written versions appeared.

The epic represents the collective voices of countless ancient people still singing to us from the past.

Medieval manuscripts from the Byzantine Empire, the Greek-speaking continuation of the eastern Roman Empire, carried forward texts shaped by earlier editions from the Hellenistic period, the centuries following the conquests of Alexander the Great in the late 4th century BCE. The Odyssey is a product of centuries of retelling, variation, copying and selection rather than a straightforward literary composition produced at a specific time in the past.

Modern books of the epic are printed with the name Homer on the cover, but ancient and modern understandings of authorship can be quite different. This is a curious tradition because, even if a historical Homer existed, he did not write the stories printed on the pages. Instead, the epic represents the collective voices of countless ancient people still singing to us from the past.

The Late Bronze Age Collapse and the People of the Sea

The film adaptation contains multiple references to a terrifying threat lurking just beyond the frame. 聽Here, the script draws on historically attested seafaring raiders and migrants collectively known by scholars as the 鈥淪ea Peoples.鈥�

Scholars debate their origins and identities, but there is historical support for these raiders. Around 1200 BCE, they roamed the region and were blamed for widespread mayhem in royal inscriptions and reliefs at Medinet Habu, the Egyptian mortuary temple where pharaoh Ramses III claimed victories over them. With enigmatic names such as the Peleset and Tjeker, scholars have tentatively proposed connections with known groups, including the Philistines or the Mycenaean Greeks.

The activities of the so-called Sea Peoples coincided with regional collapse at the end of the Bronze Age.

No one knows precisely what led them to migrate or raid coastal cities. The activities of the so-called Sea Peoples coincided with regional collapse at the end of the Bronze Age, a catastrophic period during which great states, including those of the Mycenaean Greeks and the Hittites, who ruled a major empire in modern-day Turkey, disintegrated 鈥� ushering in what has traditionally been described as a civilizational 鈥渄ark age.鈥�

As echoed in the film, the Trojan War traditions themselves cast the returning Greek victors as lawless, seaborne raiders. For example, Odysseus and his crew traditionally begin their voyage with an unprovoked attack on Ismarus, a coastal city whose wealth and women they attempt to carry away. The returning heroes are mobile bandits, evoking the upheavals of the age.

Digging Up Troy

Archaeological research has revealed that the literary landscape of the听翱诲测蝉蝉别测 is not purely mythological. In the late 19th century, a wealthy German businessman and amateur archaeologist named Heinrich Schliemann set out to find the legendary places of the Trojan War. A man of his time, he unsystematically excavated Hisarlik, ancient Troy, in northwestern Turkey beginning in 1870, before turning his attention to Mycenae in Greece in 1876.

At both locations, Schliemann鈥檚 local collaborators discovered extraordinary Bronze Age artifacts. Ever the showman, he gave the golden artifacts sensational names like 鈥淧riam鈥檚 Treasure鈥� and the 鈥淢ask of Agamemnon.鈥� While later research showed that the gold artifacts didn鈥檛 date to the traditional timing of the Trojan War, the truly contemporaneous remains are significant and informative. Subsequent research confirmed what many once considered the realm of myth: Troy and Mycenae were powerful cities that flourished during the Late Bronze Age.

Setting Sail Into the Unknown

Scholars don’t know if there was a real Trojan War, although it seems plausible that it is a literary construction of ongoing conflicts, dramatized as a single war. Siege warfare is well documented in the Late Bronze Age, and 13th-century BCE diplomatic records from the Hittite Empire appear to record Mycenaean involvement in western Anatolia, supporting the idea that the war is a literary composite.

Equally, the historical identity of Helen, whose face launched a thousand ships, is unknown.

Equally, the historical identity of Helen, whose face launched a thousand ships, is unknown. In Trojan War accounts, she is an ideal, mythologically beautiful woman who provoked the war. Some traditions identify her as the Spartan queen who fell in love with Paris, a Trojan prince, and chose to leave everything behind for a new life across the sea. Others portray her as abducted, with the war an effort to free her.

Skeptics doubt the stories about Helen having inspired a war, dismissing them as romantic or far-fetched. They instead theorize about real motives, such as political strategy, trade interests and regional dominance. But history also shows that wars have been fought over far less.

Why the Odyssey Still Matters

This summer鈥檚 popular film adaptation is introducing new audiences to Odysseus鈥檚 adventures through its stunning visuals and fresh take on some of humanity鈥檚 oldest stories. Among the gods, heroes, and magic of the texts, originally performed as songs, history and archaeology recover traces of a distant past.

An ancient epic like the Odyssey still matters not because it is faithful to an 鈥渙riginal鈥� or older story, but because we continue to make it part of our own.

An ancient epic like the Odyssey still matters not because it is faithful to an 鈥渙riginal鈥� or older story, but because we continue to make it part of our own. It is living art that keeps us in conversation with real people in the past, who also struggled with war, loss and longing and expressed themselves through art.

By reinterpreting their stories to meet the challenges of our own time, we continue an enduring tradition. As a final thought, if faithfulness to the original Odyssey had been desirable 鈥� or attainable 鈥� as a goal, the film should have been a musical.

Name:聽John Sacher

笔辞蝉颈迟颈辞苍(蝉):听Professor of history

Why are you interested in this research?
As I tell my first-year students, if you think history is boring, you just haven鈥檛 found the right teacher yet.

History is about understanding why things happened. Generally, people are all interested in some 鈥渨hy?鈥� question. Now, the 鈥渨hy鈥� questions each person might find fascinating are different, but there鈥檚 something for everyone. I might wonder, 鈥淲hy does the United States have a two-party system?鈥� or 鈥淗ow did the Confederacy manage to fight for four years in the Civil War?鈥� You might wonder, 鈥淲hy do we have 50 states?鈥� or 鈥淲hy do we have an interstate highway system?鈥� or 鈥淲hy is the Middle East so important?鈥� or even 鈥淲hy do brides traditionally wear white?鈥�

Regardless of your 鈥渨hy鈥� question, history can provide a lens to help you answer it.

Who inspires you to conduct your research?
My initial inspiration to study history came from my parents. They encouraged me to pursue a degree in whatever interested me, not necessarily one that led to a traditional occupation.

More recently, I think that my inspiration comes from my students. 性视界传媒 students have great questions. They keep me on my toes. Every semester I鈥檓 asked something I鈥檝e never been asked before.聽 Also, they are entering adulthood at a time when there are a lot of big unknowns out there 鈥� what鈥檚 going on with politics, with foreign policy, or with technological changes.聽 While I can鈥檛 answer all of those questions, I can give them some tools to help them formulate their own answers and maybe some comfort to discover that they are not the first generation to face 鈥渂ig鈥� questions in their immediate future.

How does 性视界传媒 empower you to do your research?
性视界传媒鈥檚 Department of History (and the College of Arts and Humanities and 性视界传媒 in general) certainly empower my research agenda. As a traditional historian, I don鈥檛 need fancy, expensive equipment to conduct my research. That said 鈥� teaching can be a different story. I was recently turned into a hologram to teach patrons of about the Constitution!

The most valuable commodity any historical researcher needs is time 鈥� time to research, time to think and time to write. I finished my most recent book thanks to a sabbatical which provided that time. The university has also repeatedly given me a teaching schedule that aligns with my research. So, I鈥檓 working with undergraduates and graduate students to help them understand the same issues that I grapple with in my research. That synchronicity keeps me on track and energized.

What major grants and honors have you earned to support your research?
I have received several major grants and honors in support of my research. My book A Perfect War of Politics: Parties, Politicians, and Democracy in Louisiana, 1824鈥�1861 (Louisiana State University Press, 2003) won the 2003 Kemper and Leila Williams Prize for the best book on Louisiana history.

Why is this research important?
Historians provide invaluable contributions to understanding today鈥檚 political world. We live in a world of a rigid and hostile partisan divide where people are reluctant to trust the media. Historians can fill a void by delivering context for often debated topics such as the electoral college, redistricting, foreign policy, the second amendment, etc. We don鈥檛 tell people how to vote, but we grant them the tools to come to their own informed conclusions.

The more one understands founding documents such as the Constitution, the Declaration of Independence, and the Bill of Rights, the better one can make their own assessment of 21^st century political issues and candidates.

At Kurd Qaburstan, an ancient site in the Kurdistan region of Iraq, a 性视界传媒-led team has uncovered the first substantial group of cuneiform tablets found in the Erbil region, along with evidence of large-scale destruction, mass graves and citywide fortifications. Together, the discoveries are providing one of the clearest archaeological records yet uncovered of siege warfare and urban life during the Middle Bronze Age.

鈥淥ur 2025 research produced clear archaeological evidence linking the site to the siege of Qabra, beginning with the first significant group of cuneiform tablets found on the Erbil Plain,鈥� says Tiffany Earley-Spadoni, associate professor of history at 性视界传媒 and director of the Kurd Qaburstan project. 鈥淪everal tablets are dated within days of each other, matching the timeline of the city鈥檚 fall.鈥�

The project is supported by the U.S. National Science Foundation and conducted in partnership with the Directorate-General of Antiquities and Heritage in the Kurdistan region of Iraq. The funded excavations took place during two summer seasons in 2024 and 2025.

A Lost Archive Emerges

Researchers recovered 20 cuneiform tablets and more than 100 administrative sealings from destruction layers within the Lower Town East Palace. The artifacts are being studied by epigraphers Paul Delnero (Johns Hopkins University) and Parker Zane (Yale University), along with art historian Marian Feldman (Johns Hopkins University).

The texts include palace administrative records and a letter that may reference a high-ranking official connected to Qabra. Some inscriptions may also correspond to the destruction described on the Victory Stele of Dadusha.

鈥淢ost of the tablets are administrative and provide a snapshot of palace life and the economy of the ancient city,鈥� Earley-Spadoni says. 鈥淥ne tablet appears to have been written by a high-ranking official in ancient Qabra.鈥�

Evidence of Siege Warfare

Collapsed structures, burned layers and concentrated debris suggest a coordinated and possibly prolonged assault.

鈥淭he two superimposed destructions match the historical sequence of the siege of Qabra and its conquest by Shamshi Addu,鈥� Earley-Spadoni says. 鈥淭he charred debris, the large number of ceramic vessels and individuals who met untimely deaths and were buried in the destruction layers, provide the clearest archaeological case of Middle Bronze Age siege warfare yet discovered in northern Mesopotamia.鈥�

The Human Toll of Conflict

Within the palace destruction layers, researchers discovered the remains of 17 individuals, studied by bioarchaeologist Andrea Zurek-Ost at Michigan State University.

鈥淭he individuals were not formally buried and had no associated grave goods,鈥� Earley-Spadoni says. 鈥淪ome appear to have been left where they died, including possible palace workers. One individual was found face down over a stone basin.鈥�

Researchers also uncovered a preserved street with an engineered drainage system and domestic spaces used for food processing and textile production, pointing to sophisticated infrastructure and economic activity.

Mapping an Ancient City at Scale

鈥淭he evidence from Kurd Qaburstan shows that northern cities could be large, complex, and politically significant, with administrative systems, fortifications, and infrastructure comparable to those of the best-known southern sites.鈥濃�擳iffany Earley-Spadoni, director of the Kurd Qaburstan Project

The team also completed a magnetometer survey covering more than 80 hectares (about 180 acres). The survey, which measures changes in Earth鈥檚 magnetic field to detect buried structures, was led by Andrew Creekmore III at the University of Northern Colorado. The survey revealed a monumental wall with bastions encircling the site.

The fortifications correspond with those depicted on the Victory Stele of Dadusha and support the identification of Kurd Qaburstan as the ancient city of Qabra.

Rewriting the Story of Northern Mesopotamia

Mesopotamia is often associated with southern cities like Uruk, long viewed as the center of early urban civilization. Discoveries at Kurd Qaburstan are helping highlight the value of northern cities, Earley-Spadoni says.

鈥淭he evidence from Kurd Qaburstan shows that northern cities could be large, complex, and politically significant, with administrative systems, fortifications, and infrastructure comparable to those of the best-known southern sites,鈥� she says.

These discoveries build on a decade of prior excavation at Kurd Qaburstan by Johns Hopkins University, revealing a city long absent from the historical record.

鈥淟aboratory investigations are underway, including isotopic and ancient DNA analyses of the 17 individuals,鈥� Earley-Spadoni says. 鈥淭his work will help researchers understand their origins and relationships.鈥�

Each discovery brings researchers closer to understanding how this ancient city functioned and how it ultimately fell.

This material is based upon work supported by the U.S. National Science Foundation (NSF) under Award No. 2344957. Any opinions, findings and conclusions or recommendations expressed in this material are those of the author(s) and do not necessarily reflect the views of the NSF. Work was conducted with the permission, support, and collaboration of the Directorate-General of Antiquities of the Kurdistan Regional Government, Director-General Kak Kaify Mustafa Ali, and the Erbil Department of Antiquities, Director Kak Nader Babakr.

鈥淭he Universal School of Experience Leadership & Innovation unites creativity, technology and the practical application of business, marketing, and guest service to develop tomorrow鈥檚 leaders in themed entertainment and immersive experiences.鈥� 鈥� Mark Woodbury, chairman and CEO of Universal Destinations & Experiences

The first-of-its-kind Universal School of Experience Leadership & Innovation is housed within the Rosen College of Hospitality Management, ranked No. 1 nationally. With the addition of Universal鈥檚 new school and the college鈥檚 School of Hospitality Leadership, students now have access to a dual-school model that brings together experience-focused education with business strategy, operations, and service leadership.

鈥淭he Universal School of Experience Leadership & Innovation unites creativity, technology and the practical application of business, marketing, and guest service to develop tomorrow鈥檚 leaders in themed entertainment and immersive experiences,鈥� says Chairman and CEO of Universal Destinations & Experiences Mark Woodbury.

鈥溞允咏绱� was built to power what鈥檚 next for our students, for industry, and for the State of 性视界传媒,鈥� 性视界传媒 President Alexander N. Cartwright says. 鈥淭his collaboration with Universal Destinations & Experiences represents our mission at its best, creating an environment where students are learning in direct connection with the people and ideas shaping the future of immersive experiences.鈥�

A First-of-its-Kind Model for Experience Education

The Universal and 性视界传媒 partnership will also support research through a new Hospitality Technology Lab, designed to be a creative sandbox for students to collaborate, test ideas, and gain practical hands-on experience working alongside 性视界传媒 faculty, Universal professionals, and industry stakeholders. Students will gain timely insight that reflects industry needs as part of their education. Built around innovation and interdisciplinary teaming, the lab embeds coursework, student projects, and faculty research in a shared space, equipping graduates with both current skills and the adaptability to lead in a constantly evolving technology ecosystem.

The new school鈥檚 research will build on 性视界传媒鈥檚 existing strengths, applying university expertise to one of the world鈥檚 most dynamic industries. Focus areas for teaching, learning, and research will include:

• Service robotics and human-centered approaches to shape guest and employee interactions
• AR and VR simulation technologies for training, operations, and immersive environments
• AI and digital twins for optimizing and personalizing the guest experience

This work extends a decades-long partnership between 性视界传媒 and Universal rooted in collaboration and shared success. For more than 20 years, Rosen College has served as a key talent pipeline for Universal, with thousands of graduates contributing across its parks, experiences, and operations, alongside hands-on learning opportunities like the 性视界传媒/Universal Creative Lab.

鈥淭ogether with 性视界传媒 we have opened doors for students and helped strengthen our industry with valued talent 鈥� and the next chapter will be even better,鈥� Chief Administrative Officer of Universal Destinations & Experiences John Sprouls says. 鈥淲e鈥檙e creating a distinctive academic home that will expand pathways into fulfilling and dynamic careers.鈥�

鈥淩osen College has long been a global leader in hospitality education, and this next step reflects how our industry is evolving,鈥� says 性视界传媒 Rosen College of Hospitality Management Dean Cynthia Mejia. 鈥淏y strengthening our relationship with our longtime partners at Universal Destinations & Experiences, we are creating a first-of-its-kind two-school model that blends creativity, technology and leadership, preparing students to lead the future of guest experiences.鈥�

Pegasus Partners: Scaling Impact Through Collaboration

As 性视界传媒鈥檚 first entertainment-sector Pegasus Partner, Universal Destinations & Experiences joins a group of industry leaders working with the university to solve real-world challenges, accelerate discovery, and strengthen the workforce talent pipeline. Universal is also the first Pegasus Partner to enter into a master research agreement with 性视界传媒, enabling collaboration at scale and unlocking new opportunities for applied research.

The Pegasus Partners program offers opportunities for select partners to engage across the university in ways that create meaningful value for both organizations. That engagement includes talent development and recruitment, shared research projects, joint ventures and collaborations, strategic philanthropy, and co-location at 性视界传媒.

As the first Pegasus Partner since the start of , 性视界传媒鈥檚 $3.5 billion campaign to accelerate its next era of impact, Universal鈥檚 commitment is a powerful model that combines philanthropy and strategic industry investment to drive innovation, expand opportunity, and fuel shared success.

性视界传媒 School of Visual Arts and Design students earned all four scholarships awarded at Creative South, a testament to the university鈥檚 growing reputation as a hub for emerging creative talent.

鈥淲e鈥檝e built such a strong community that when one person succeeds, we all do,鈥� says Vanessa Mor谩n, a senior graphic design student and treasurer of 性视界传媒鈥檚 Graphic Design Student Association. 鈥淭hat’s something Associate Professor Victor Davila 鈥�97 鈥�07MFA has always instilled in us.鈥�

For Brianna Rodriguez, a junior graphic design student who received a $1,000 grant, the scholarship is validation for where she鈥檚 heading.

鈥淚t felt like a message that my work has potential, and that I need to start seeing it that way,鈥� she says.

Building Industry Connections

The students鈥� takeaways from Creative South went well beyond scholarship awards. Known for its welcoming environment, the conference gave students direct access to industry professionals, hands-on feedback, and real-world insight.

The access stood out to AJ Sibul, a senior graphic design student, who says Creative South made the industry feel more human.

鈥淭here鈥檚 no separation between attendees and speakers,鈥� Sibul says. 鈥淭hey emphasize people first, titles second.鈥�

From portfolio reviews to keynote presentations to late-night networking events, students built meaningful connections with working creatives, leading to mentorship, internships, and future job opportunities.

性视界传媒 emerging media alumnus Josh Alonso 鈥�25 understands that firsthand. Alonso first attended Creative South as a student, where he earned a scholarship from Heyo, a design and development agency, which included a yearlong mentorship with a professional from the company.

That experience led to his current full-time role, demonstrating how connections made at Creative South can translate directly into opportunities.

鈥淭hat mentorship really grew into a friendship, which led to a job offer later down the road,鈥� Alonso says. 鈥淭hey helped me understand the importance of being someone people wanted to work with, rather than just having the best-looking portfolio.鈥�

鈥淢y career essentially got its 鈥榡umpstart鈥� from the people I met at Creative South.鈥� 鈥� Josh Alonso 鈥�25

Alonso鈥檚 journey reflects what many 性视界传媒 students are beginning to experience: real pathways into creative careers.

鈥淢y career essentially got its 鈥榡umpstart鈥� from the people I met at Creative South,鈥� he says.

As 性视界传媒 continues to invest in the next generation of creatives, experiences like Creative South equip students with the connections and confidence needed to succeed in the industry after graduation.

During 性视界传媒 Celebrates the Arts 2026, Legally Blonde took the stage with a twist audiences didn鈥檛 see coming 鈥� one that blurred the line between performance and possibility.

The story still delivered the heart: College student Elle Woods chases love, faces doubt and ultimately discovers her own strength along the way. But this production layered something new into that journey: state-of-the-art robotics. At 性视界传媒, 性视界传媒鈥檚 Technological University, innovation shows up in unexpected places 鈥� even onstage.

The result was a show that felt both nostalgic and forward-looking, where dynamic musical theater met emerging tech.

Musical theatre major Lyric Stratton played the perfect protagonist, Elle Woods, whose dreams of settling down after college graduation are cut short when her boyfriend, Warner, breaks up with her to attend Harvard Law School. Devastated and determined to get him back, Woods pulls together an unconventional application and charms her way into Harvard Law.

High-energy dance numbers powered the production from start to finish. In one standout scene titled 鈥淲hat You Want,鈥� Woods turns her Harvard application into a full-scale performance, trading a traditional essay for a show-stopping number alongside the UCLA cheer team.

The number featured 25 students on stage and took 13 hours to stage.

Three characters led a Harvard admissions conference room scene, delivering sharp dialogue as they debated Woods鈥� fate.

From left: Joey Fields as Winthrop, Tristan Haberland as Lowell and Jasper Allen as Pforzheimer.

Just as the audience settled into the story, two robot dogs stepped into the spotlight. During the nine-minute number 鈥淲hat You Want,鈥� they appeared in a Harvard campus scene where engineering students 鈥� played by theatre majors Mia Freeman and Isabel Ramos 鈥� walked them around as UCLA cheerleaders looked on in awe. In a brief but striking moment, technology wasn鈥檛 just a prop 鈥� it became part of the story.

Operated live on stage, the robots transformed the moment into a seamless blend of performance and engineering. Freeman and Ramos were trained by Mohsen Rakhshan, assistant professor in the Department of Electrical and Computer Engineering (ECE) in the College of Engineering and Computer Science, and his graduate teaching assistant, Chinmay Dhanraj Nehate.

鈥淲e鈥檙e seeing the incorporation of robotics into different things at an accelerated rate, including art. It’s exciting,鈥� says Rakhshan, who closely collaborated with the production鈥檚 director to bring the robots into the show.

The electrical and computer engineering department houses 15 state-of-the-art robot dogs, nine of which are in Rakhshan鈥檚 Laboratory for Interaction of Machine and Brain. There, he and his graduate teaching assistant use them for both instruction and research 鈥� teaching an Introduction to Robotics course and training the robots to navigate the uncertainties of real-world environments.

During last year鈥檚 annual 性视界传媒 football Space Game, Michael Jablonski, assistant professor of musical theatre in the College of Arts and Humanities, watched the ECE department鈥檚 robot dogs in motion across the field. At that moment, he saw more than entertainment 鈥� he saw the potential for storytelling. A way to take something typically confined to classrooms and labs and give it emotion and meaning.

When planning聽Legally Blonde, a story rooted in breaking expectations, the idea came naturally: why not let innovation share the stage?

Even with its high-tech twist, the show stayed true to its roots 鈥� including Bruiser, Woods鈥� loyal (and stylish) Chihuahua, brought to life by a real dog named Marty McFly.

During 鈥淲hipped Into Shape,鈥� fitness guru Brooke Wyndham, played by theatre major Isabel Ramos, led her cellmates through a relentless workout. Accused of murder, Wyndham refused to reveal the truth when Woods visited 鈥� unless she could keep up 鈥� turning the moment into a high-energy number where actors sang while performing intense jump rope choreography.

In the climactic courtroom scene, Woods took the lead, defending Wyndham and using sharp instincts, wit and confidence to expose the real culprit. It was a defining moment where she proved she belongs, blending intelligence, intuition and boldness to win the case.

Front row from left: Lyric Stratton as Elle Woods, Isabel Ramos as Brooke Wyndham and Jaxon Ryan as Emmett Forrest.

Along the way, Woods stops chasing approval and finds her confidence, purpose and voice. This central theme drew Jablonski, Legally Blonde production director, to the female-driven story.

鈥淭his story showcases how a very strong, intelligent woman [Elle Woods] finds her way in a male-dominated world. She initially follows love, but through it, she finds a space where she fits perfectly,鈥� Jablonski says. 鈥淭hrough being misjudged and stereotyped, we come to see that she鈥檚 far above the people around her in her thinking and in the way she brings humanity into her work as a lawyer.鈥�

What audiences saw was only part of the story. Behind every scene change, lighting cue, and musical number is a network of students, faculty, and staff working in sync 鈥� often just out of sight. Behind the curtain, more than 50 people managed lighting, sound and scene transitions in real time.

The music didn鈥檛 just support the story 鈥� it drove it. Legally Blonde, presented through special arrangement with Music Theatre International, featured music and lyrics by Laurence O’Keefe and Nell Benjamin, with 23 total musical numbers. The book is by Heather Hach.

Projection-mapped animations and imagery 鈥� created with QLab software and delivered through two high-brightness front projectors 鈥� were precisely timed to the music, blending seamlessly with choreography and lighting to shape the show鈥檚 visual rhythm.

鈥淓ach scene had its own visual identity, with projections adding specific details that help it stand out,鈥� says Tim Brown, associate professor of theatre design and technology. 鈥淭he goal is to support the show鈥檚 fun, colorful world in a clear and energetic way.鈥�

Costuming defined each character with bold color and precise detail. Huaixiang Tan, professor of costume and make-up design in the School of Performing Arts, led the design, with support from assistant costume designers Sabrina Cervilla and Aisha Bader-Ortega. The production featured more than 100 costumes, each the result of hundreds of hours of craftsmanship.

In the Theatre 性视界传媒 scene shop, students began using hands-on technical skills to build and refine set pieces in January.

Built through layers of paint, planning and precision, the set came together as a large-scale collaboration among more than 40 students.

Designed for transport, much like a touring production, the set added an extra layer of complexity and was built to be assembled at the Dr. Phillips Center for the Performing Arts. It was completed and delivered on March 30.

That鈥檚 because every dollar ripples far beyond a single day. Every gift opens doors: for students to chase a dream, create unforgettable memories, boldly invent the future and be recognized for their hard work. And every donor does more than give 鈥� they ignite potential, spark inspiration and elevate Knights for generations.

With 性视界传媒 Day of Giving 2026 right around the corner 鈥� Thursday, April 9 鈥� we鈥檙e reflecting on the transformational effects and personal stories of triumph that emerged from last year鈥檚 show of support, knowing that shortly, our collective contributions will set another wave of Black & Gold breakthroughs, successes and discoveries into motion.

Prioritizing Unique Opportunities

Area of Support: College of Engineering and Computer Science Dean鈥檚 Excellence Fund
Amount Raised: $67,421
Impact: Learning experiences

Growing up in rural Ohio, Jordan Hires, an aerospace engineering major and Burnett Honors College Scholar, often gazed at the boundless night sky, inspired by the astronauts from her home state of Ohio. Moving 1,000 miles away for college was daunting, but manageable. With her sights set on becoming a chief engineer for deep space flights, 性视界传媒 offered two key benefits: a renowned aerospace engineering program and proximity to NASA.

鈥淚t鈥檚 the best decision I鈥檝e made,鈥� she says.

Since becoming a Knight, she鈥檚 done backstage tours at NASA, met with industry leaders from Mitsubishi, Siemens Energy and Lockheed Martin, and even talked to a former astronaut at an awards ceremony. This past summer, she worked alongside Professor Kareem Ahmed in the Propulsion and Energy Research Lab as a U.S. National Science Foundation Research Experiences for Undergraduates (REU) fellow, testing a solution to remove heat from engines 鈥� research that could make hypersonic aircraft safer and cheaper. It was her second research experience as an undergrad.

鈥淚 don鈥檛 know if it鈥檚 every little girl鈥檚 dream to work on classified projects with military and civilian applications, but it definitely was this little girl鈥檚 dream,鈥� she says. 鈥淭hanks to 性视界传媒, I鈥檝e had experiences that most students don鈥檛 get until graduate school.鈥�

Many of those opportunities are made possible by the College of Engineering and Computer Science Dean鈥檚 Excellence Fund, which supports hands-on learning, cutting-edge research equipment and innovative initiatives.

Supporting Lasting Memories

Area of Support: Marching Knights Scholarship Fund
Amount Raised: $14,067
Impact: Multiple scholarships for band members

For 性视界传媒 Marching Knights President Zoie Taverna, two moments define her 性视界传媒 experience: the rush of running onto the field for her first game and the bittersweet joy of singing the alma mater song alongside her best friend for their final game before graduation.

鈥淔or three whole years, we stood next to each other in the stands, screaming, feeding off each other鈥檚 energy,鈥� Taverna says. 鈥淔or her last game, we went all out. We couldn鈥檛 even talk by the end of it. We cried while singing the alma mater.鈥�

Taverna is among the Marching Knights whose experiences at 性视界传媒 are bolstered by the Branen Band Endowed Scholarship, which helps cover essentials like textbooks, meals and rent that her Bright Futures scholarship does not. As a mechanical engineering major, band leader and corresponding secretary for the national chapter of Kappa Kappa Psi, she packs her days with coursework, practice and student engagement.

During the summers, she works full-time at a summer camp for kids, and she spends her weekends and evenings at Panera Bread to save up enough to cover the expenses to allow her to stay focused while in school.

鈥淲ithout scholarships, I wouldn鈥檛 have the time to do extracurriculars, such as Marching Knights, where I get to represent 性视界传媒 in Central 性视界传媒 and around the world,鈥� she says. 鈥淎nd I wouldn鈥檛 get to spend every Saturday in the Bounce House with all of my friends, immersed in the band life we love.鈥�

Illuminating Pathways

Area of Support: College of Optics and Photonics (CREOL)
Amount Raised: $54,880
Impact: $4,880 Went Toward Supporting 19 scholarships for attendees

This summer, high school student Chloe Phung left the bright lights of Ho Chi Minh City, Vietnam, to spend a week immersed in the study of light on 性视界传媒鈥檚 campus. As part of the third Laser and Photonics Summer Camp hosted by CREOL, she joined more than 50 high school students from across Central 性视界传媒 鈥� and around the world.

鈥淚 had the chance to learn many things, to learn more about optics, lenses and lasers,鈥� Phung says.

In addition to learning opportunities, the camp shines a light on the photonics industry, where more than 10,000 jobs open each year in the U.S., despite only 80 to 100 students in the nation graduating with bachelor鈥檚 degrees in photonics annually. A third of those graduates come from CREOL.

Paying it Forward

Area of Support: Dr. Michelle R. Dusseau Communication and Community Impact Endowed Scholarship Fund
Amount Raised: $1,780
Impact: $1,500 scholarship for one communication major, awarded annually

Beatrix Alerte transferred to 性视界传媒 in Spring 2024 with a plan: build community on campus, explore a career in media, stay active in service and say yes to every opportunity.

The first three goals came naturally. She enrolled in classes, mentored two freshmen as part of the 性视界传媒 chapter of Big Sister Little Sister mentoring program and served as a trip coordinator for the Alternative Spring Break Program. Alerte also gained work experience as a marketing ambassador for Project BEST, a Student Support Services project that supports first generation students, and as an intern with 性视界传媒 Athletics.

Her final goal was made easier this summer when Alerte was named the inaugural recipient of the Dr. Michelle R. Dusseau Communication and Community Impact Endowed Scholarship, created this past year by longtime the College of Science‘s Nicholson School of Communication and Media faculty member Michelle Dusseau.

鈥淭his scholarship has given me the freedom to say yes to career-building opportunities, many of which are unpaid, while worrying less about covering

personal living expenses,鈥� Alerte says. 鈥淭hat support makes all the difference.鈥�

This 性视界传媒 Day of Giving, we鈥檙e launching Knights to new heights! Save the date to on Thursday, April 9, 2026. Check out the to maximize your impact. And get ready to join your Knight Nation family as we Bounce, Stomp, Splash and Cheer our way to more impact than ever before.

In 2026, we celebrate the United States of America鈥檚 250^th birthday 鈥� also known as the semiquincentennial (a word so convoluted that spellcheck doesn鈥檛 recognize it, so we have decided America250 is simpler). As we do so, we should take some time to reflect on what we think we know about our bold declaration of independence and the American Revolution that followed.

Here are some common misconceptions about the revolutionary era that show popular memory doesn鈥檛 necessarily reflect reality.

鈥淭he British(?) are Coming!鈥�

Legend has it that in Boston on the evening of April 18, 1775, silversmith and now folk hero Paul Revere watched for flashing lanterns from the Old North Church 鈥� one if by land and two if by sea 鈥� and when he saw the two flashes, he jumped onto his horse for his midnight ride through the Massachusetts countryside yelling the 鈥淏ritish are coming!鈥�

This shout brought out the militia in Lexington and Concord and also warned Sam Adams and John Hancock, two revolutionaries who some believed were the target of this secret British military mission. Armed and ready for the British soldiers to enter their villages, early the next morning, the militia fired the first shots of the American Revolution and pushed the Redcoats back to Boston. A fighting war had begun.

If one ponders the date for long enough, one might see the problem with the words that Revere allegedly shouted. In April 1775 (and for 14 months thereafter), Revere, the militia, and everyone he woke up were still British. Most likely, he shouted 鈥渢he Regulars,鈥� 鈥渢he Redcoats,鈥� or 鈥渢he king鈥檚 men,鈥� were coming, which all have less catchy rings to them.

Washington鈥檚 (Perilous?) Crossing.

If we can鈥檛 believe our ears regarding Paul Revere鈥檚 Midnight Ride, we also cannot believe our eyes about one of the most famous images of the American Revolution, Washington Crossing the Delaware. The giant (12 feet by 21 feet) painting depicts Christmas evening 1776 when the United States鈥� independence hung in the balance.

General George Washington and his army traveled from Pennsylvania where they would surprise Hessian mercenaries at Trenton, New Jersey.聽 After a tough few months which included the evacuation of New York City, these victories helped restore the Americans鈥� morale.

German American artist Emanuel Leutze painted the image in Germany almost 75 years later. Meant to inspire German revolutionaries more than serve as an exact depiction of the event, the painting is filled with inaccuracies. It contains a flag that did not yet exist, ice bergs that did not appear in the Delaware River, Washington positioned in a manner which unnecessarily courted the danger of falling overboard, too much light for the crossing, and far too small a boat (in 2011, Mort Kunstler painted a more accurate version).

Yet, at the same time, others have praised Leutze鈥檚 version for sacrificing precise details for a larger truth. His painting has a wide cross section of Americans including farmers, riflemen, a Scotsman, two future presidents (Washington and James Monroe), men from a variety of states, an African American, and perhaps a woman. Thus, it is the archetypal American melting pot and conveys Americans鈥� determination in the time that tried men鈥檚 souls.

All Colonists were not Team Rebel.

We know that 13 original colonies revolted against British rule. In 1776, however, Britain had more than 30 colonies stretching from Canada through the Caribbean. Among those was 性视界传媒. Technically, 性视界传媒 was two colonies (East 性视界传媒 and West 性视界传媒). One would think that the two 性视界传媒s would have excitedly joined their neighbors to the north in rebellion as they had only been British colonies for 13 years (having been under Spanish rule from 1565鈥�1763).

Yet, when news of the Declaration of Independence reached St. Augustine, instead of embracing the document, the settlers reaffirmed their loyalty to the king and hung effigies depicting two leading revolutionaries that Revere had warned: John Hancock and Sam Adams. The former was the first signer of the Declaration of Independence and the president of Continental Congress, and the latter was a Boston radical, better known today as a brewery owner.

Why didn鈥檛 the 性视界传媒s revolt? Frankly, they disliked the British colonies more than they disliked England. They saw themselves as connected to the British Caribbean colonies, which also remained loyal to the king.

The Legend Behind A Cherry Tree.

In myth busting about the American Revolution, one can also tackle George Washington 鈥� he did tell lies, he didn鈥檛 chop down a cherry tree (that anecdote was invented by 19th-century bookseller Parson Weems), and the once commander-in-chief didn鈥檛 win many major battles in the early years of the revolution. However, Washington, if anything, is underestimated for his contributions to American history.

Washington did what many of his contemporaries considered to be unthinkable 鈥� he gave up power. Not once but twice.

When the war ended in 1783, Washington was a conquering hero who could have asked for anything. Instead, he simply requested retirement to Mount Vernon. Later, he returned to politics at the Constitutional Convention in 1787 and then was elected the nation鈥檚 first president in 1789. After serving two terms, he retired again (the constitutional provision limiting a president to two terms didn鈥檛 come until the 22^nd amendment in 1951).

Thus, he set a precedent that president would not serve for life but instead would rotate regularly out of office.

A Day to Celebrate 鈥� But Which Day?

None of the above should stop you from celebrating in July. After all, as one of the declaration鈥檚 authors and our second president John Adams wrote in letter to his wife about Independence Day, it 鈥渨ill be the most memorable Epocha, in the History of America.鈥擨 am apt to believe that it will be celebrated, by succeeding Generations, as the great anniversary Festival . . .聽 It ought to be solemnized with Pomp and Parade, with Shews, Games, Sports, Guns, Bells, Bonfires and Illuminations from one End of this Continent to the other.鈥�

Other than omitting hot dog eating contests, this sounds fairly accurate. Alas, nothing is ever simple. Adams wrote this prediction on July 3, 1776, about future July 2s (not July 4s).

On July 2, the Continental Congress voted to declare independence. Two days later, on July 4, its members adopted the Declaration of Independence with John Hancock, the president of the Continental Congress, putting his John Hancock on the document.

Historians just have to ruin everything, don鈥檛 we?

Supported by a gift from Meta, the two-year project uses electromyographic (EMG)-based human-machine interface technology as a platform for investigating motor learning through gamified training systems. While EMG systems are often studied in the context of prosthetic limb control, the broader goal of the project is to understand how adaptive interfaces can become more intuitive and embodied over time.

鈥淭his Meta support will enable my lab to work on real-world problems that can have an immediate impact on neurotechnologies.鈥� 鈥� Mohsen Rakhshan, assistant professor

性视界传媒 was selected through Meta鈥檚 competitive funding initiative, in part because of its interdisciplinary approach pairing engineering with philosophy and ethics.

Mohsen Rakhshan, an assistant professor in 性视界传媒鈥檚 Department of Electrical and Computer Engineering and the Disability, Aging and Technology (DAT) faculty cluster initiative, and Jonathan Beever, a professor of philosophy and director of the 性视界传媒 Center for Ethics, will lead the project.

鈥淭his Meta support will enable my lab to work on real-world problems that can have an immediate impact on neurotechnologies,鈥� Rakhshan says. 鈥淭he impact ranges from individuals using augmented and virtual reality for entertainment to individuals with amputation or paralysis seeking to improve their quality of life. It also gives my engineering students the opportunity to integrate ethics research into their technical work.鈥�

Advancing Motor Learning Through EMG

EMG-based interfaces translate electrical signals generated by muscle activity into digital commands, allowing users to control devices through subtle physical gestures. In immersive environments, these systems can enable more natural interaction with virtual objects. In rehabilitation settings, they can assist in training neural prostheses.

The 性视界传媒 team is using this technology to examine how people learn new motor skills in digital environments, particularly through gamified interaction tasks designed to strengthen human-computer coordination. By training both the participant and the signal-processing algorithm (often called a 鈥渄ecoder鈥�) simultaneously, through a process known as co-adaptation, researchers aim to create systems that improve alongside the user.

鈥淎 significant challenge for most of these systems is that they require constant retraining or calibration of the decoder,鈥� Rakhshan says. 鈥淩etraining after each use can discourage individuals from using these devices long term. The human nervous system is plastic 鈥� it can adapt and improve performance over time. But if the decoder is constantly reset or kept static, it may prevent the nervous system from leveraging that plasticity. We aim to develop a co-adaptive loop between the human and the device.鈥�

Rather than focusing solely on stable decoding, the project investigates how adaptive systems can enhance motor learning, improve user confidence and promote a stronger sense of embodiment in human-machine interaction.

If successful, the research could inform next-generation EMG systems used in immersive computing, rehabilitation technologies and assistive devices.

Embedding Ethics Into Engineering

A defining feature of the project is the integration of ethics alongside engineering from the outset.

鈥淚nterdisciplinary collaboration between ethics and technical experts is the best path forward for responsible innovation.鈥� 鈥� Jonathan Beever, professor

Longitudinal EMG studies can reveal subtle motor signatures that uniquely identify individuals, raising questions about privacy and data protection. Adaptive systems may also influence a user鈥檚 sense of agency, whether individuals feel genuinely in control of the interface. For example, if an EMG system begins adjusting its interpretation of muscle signals automatically, users may feel the device is responding to them intuitively or, in some cases, acting unpredictably. Researchers want to better understand how these dynamics affect trust, confidence, and long-term use.

To address these questions, Beever will be embedded within the 性视界传媒 Laboratory for Interaction of Machine and Brain (LIMB), contributing directly to experimental design and evaluation. The team will conduct structured assessments of agency and embodiment while examining potential privacy leakage from EMG signal data.

鈥淚nterdisciplinary collaboration between ethics and technical experts is the best path forward for responsible innovation,鈥� Beever says. 鈥淭echnological advancement must be guided toward good ends. Our work emphasizes not only ethical research practices but also deeper questions about autonomy and agency in human-machine interfaces.鈥�

A Three-Phase Study

The longitudinal study will involve 30 participants completing 10 sessions over two months, allowing researchers to measure both short-term and long-term motor learning outcomes.

The project will occur in three phases:

Phase 1: Standardizing muscle signal data so artificial intelligence systems can more accurately interpret user intent.

Phase 2: Training both participants and machine learning models simultaneously 鈥� a co-adaptive process designed to improve human-computer interaction through gamified tasks.

Phase 3: Conducting structured evaluation of agency, embodiment and privacy risks while developing a publishable ethics framework for adaptive EMG-based systems.

鈥淭here has been a significant increase in industry interest in using biological signals such as EMG, from muscles, and EEG, from the brain, to interact with virtual and augmented reality, consumer electronics, prostheses for individuals with amputation and robotic systems for individuals with paralysis,鈥� Rakhshan says.

This research is supported by a gift from Meta. The project is conducted by faculty, staff and students in 性视界传媒鈥檚 Department of Electrical and Computer Engineering, the Disability, Aging and Technology research cluster and the 性视界传媒 Center for Ethics.